The Solution below shows the A minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.
The Lesson steps then explain how to identify the A minor scale note interval positions, choose the note names, and scale degree names.
For a quick summary of this topic, have a look at Natural minor scale.
Key | C | C# | Db | D | D# | Eb | E | E# | Fb | F | F# | Gb | G | G# | Ab | [A] | A# | Bb | B | B# | Cb | All On 1 page |
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The A natural minor scale has no sharp or flat notes.
This minor scale key is on the Circle of 5ths - A minor on circle of 5ths, which means that it is a commonly used minor scale key.
Note no. | Note interval | Note name |
---|---|---|
1 | tonic | The 1st note of the A natural minor scale is A |
2 | A-maj-2nd | The 2nd note of the A natural minor scale is B |
3 | A-min-3rd | The 3rd note of the A natural minor scale is C |
4 | A-perf-4th | The 4th note of the A natural minor scale is D |
5 | A-perf-5th | The 5th note of the A natural minor scale is E |
6 | A-min-6th | The 6th note of the A natural minor scale is F |
7 | A-min-7th | The 7th note of the A natural minor scale is G |
8 | A-perf-8th | The 8th note of the A natural minor scale is A |
Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram.
These note names are shown below on the treble clef followed by the bass clef.
For all other minor scale keys, the staff diagram above would show the scale notes with the sharp and flat symbols shown before each note on the staff, and then the key signature page eg. A natural minor key signature, would show those symbols as a key signature next to the bass or treble clef symbol.
However, since the A minor scale has no sharps or flats, the diagram above is identical to that shown at A natural minor key signature, as there are no accidentals that sharpen or flatten the notes.
Note no. | Degree name |
---|---|
1 | A is the tonic of the A natural minor scale |
2 | B is the supertonic of the A natural minor scale |
3 | C is the mediant of the A natural minor scale |
4 | D is the subdominant of the A natural minor scale |
5 | E is the dominant of the A natural minor scale |
6 | F is the submediant of the A natural minor scale |
7 | G is the subtonic of the A natural minor scale |
8 | A is the octave of the A natural minor scale |
The difference between the A natural minor scale and the A major scale is that the 3rd, 6th and 7th note positions of the major scale are lowered by one half-tone / semitone.
So whereas the A major scale has notes C#, F#, G# for the 3rd, 6th and 7th notes, these notes are lowered to arrive at notes C, F, G for this natural minor scale.
No. | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
---|---|---|---|---|---|---|---|
Note | G | F | E | D | C | B | A |
The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard.
Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen.
The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard.
The numbered notes are those that might be used when building this note scale.
But since this is a scale in the key of A, it is certain that notes 1 and 13 will be used in the scale.
Note 1 is the tonic note - the starting note - A, and note 13 is the same note name but one octave higher.
No. | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Note | A | A# / Bb | B | C | C# / Db | D | D# / Eb | E | F | F# / Gb | G | G# / Ab | A |
The natural minor scale uses the W-H-W-W-H-W-W note counting rule to identify the scale note positions.
To count up a Whole tone, count up by two physical piano keys, either white or black.
To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black.
The tonic note (shown as *) is the starting point and is always the 1st note in the natural minor scale.
Again, the final 8th note is the octave note, having the same name as the tonic note.So why does the A minor scale have no sharps or flats, and why is it the only minor scale with no sharps or flats ?
It is because the Whole tone-Half-tone note interval positions are selected to fall on white keys, and never on black keys.
This is because the A minor scale historically comes from the aeolian mode, and all Modes in their simplest form only use white / natural notes.
C major scale is the relative major key of A minor, and since it contains the same note names (ordered differently), it too has no sharps or flats.
The Mode topic introduction section shows a table of all modes.
These are the only common scales is music theory having no sharps or flats. All other major and minor scales (harmonic, melodic) have at least one sharp or flat.
No. | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 |
---|---|---|---|---|---|---|---|---|
Note | A | B | C | D | E | F | G | A |
What is the difference between the A natural minor scale and the A major scale ?
The 3rd, 6th and 7th note positions (or scale degrees) of the major scale are lowered by one half-tone / semitone to arrive at the minor scale note positions shown above.
For natural minor scales, the notes names when descending are just the reverse of the ascending names.
So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic.
No. | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
---|---|---|---|---|---|---|---|
Note | G | F | E | D | C | B | A |
Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all major and minor scales (ie. 1st note is always tonic, 2nd is supertonic etc.) , but obviously the note names will be different for each scale / key combination.
In the natural minor scale, the 7th note is called the subtonic, and it has a whole tone (two half-tones / semitones, two notes on the piano keyboard) between the 7th and 8th notes in the scale.
In contrast, the A major scale has only one half-tone / semitone separating the 7th and 8th notes, and in this case the seventh note is called the leading note or leading tone, as the 7th note feels like it wants to resolve and finish at the octave note, when all major scale notes are played in sequence.
Both the A harmonic minor scale and A melodic minor scale scales share the same property - having a leading tone, with the major scale.
Note no. | Degree name |
---|---|
1 | A is the tonic of the A natural minor scale |
2 | B is the supertonic of the A natural minor scale |
3 | C is the mediant of the A natural minor scale |
4 | D is the subdominant of the A natural minor scale |
5 | E is the dominant of the A natural minor scale |
6 | F is the submediant of the A natural minor scale |
7 | G is the subtonic of the A natural minor scale |
8 | A is the octave of the A natural minor scale |
Key | C | C# | Db | D | D# | Eb | E | E# | Fb | F | F# | Gb | G | G# | Ab | [A] | A# | Bb | B | B# | Cb | All On 1 page |
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